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“The Overstory, which contains an energy like that of the trees that link its intertwining stories, is nothing short of stunning. Such links between the human and non-human are mostly hidden to us, but only because we tend not to look very closely (or prefer not to see). Powers' most beautiful sentences are also the most devastating, which hints at the novel's hope that death - whether of a person or a plant - is never quite the end that it seems. Until, that is, we look, or prefer, finally, to see. As we are instructed near the novel's end, 'What you make from a tree should be at least as miraculous as what you cut down.' Plainly put: The Overstory is perhaps as close to such a miracle as we currently deserve.”
— Brad Johnson, East Bay Booksellers, Oakland, CA
“I can’t stop thinking about this book! A sprawling, literary eco-epic, The Overstory is the kind of novel that changes people. It’s a riveting call to arms and a bitter indictment of our wasteful culture. More than that, it’s an incredibly human story with a huge cast of richly imagined characters that you’ll never forget. With writing that is dense but accessible, Powers is a master at intersecting science, art, and spirituality without sacrificing plot. I pity the next customer who comes into our store looking for ‘a book about trees’ because Powers has given me a lot to talk about.”
— Logan Farmer, Old Firehouse Books, Fort Collins, CO
Winner of the Pulitzer Prize in Fiction
Winner of the William Dean Howells Medal
Shortlisted for the Man Booker Prize
Over One Year on the New York Times Bestseller List
A New York Times Notable Book and a Washington Post, Time, Oprah Magazine, Newsweek, Chicago Tribune, and Kirkus Reviews Best Book of the Year
"The best novel ever written about trees, and really just one of the best novels, period." —Ann Patchett
The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of—and paean to—the natural world. From the roots to the crown and back to the seeds, Richard Powers’s twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours—vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe.