“I haven’t felt this hopeful after closing a book in a very long time. What does it mean to be alive? An ageless question, yet throughout time the answer is always human connection and the stories we tell to live, thrive, survive.”
— Julie Slavinsky, Warwick's, La Jolla, CA
On the New York Times bestseller list for over 20 weeks * A New York Times Notable Book * A National Book Award Finalist * Named a Best Book of the Year by Fresh Air, Time, Entertainment Weekly, Associated Press, and many more
“If you’re looking for a superb novel, look no further.” —The Washington Post
From the Pulitzer Prize–winning author of All the Light We Cannot See, comes the instant New York Times bestseller that is a “wildly inventive, a humane and uplifting book for adults that’s infused with the magic of childhood reading experiences” (TheNew York Times Book Review).
Among the most celebrated and beloved novels of recent times, Cloud Cuckoo Land is a triumph of imagination and compassion, a soaring story about children on the cusp of adulthood in worlds in peril, who find resilience, hope, and a book.
In the 15th century, an orphan named Anna lives inside the formidable walls of Constantinople. She learns to read, and in this ancient city, famous for its libraries, she finds what might be the last copy of a centuries-old book, the story of Aethon, who longs to be turned into a bird so that he can fly to a utopian paradise in the sky. Outside the walls is Omeir, a village boy, conscripted with his beloved oxen into the army that will lay siege to the city. His path and Anna’s will cross.
In the present day, in a library in Idaho, octogenarian Zeno rehearses children in a play adaptation of Aethon’s story, preserved against all odds through centuries. Tucked among the library shelves is a bomb, planted by a troubled, idealistic teenager, Seymour. This is another siege.
And in a not-so-distant future, on the interstellar ship Argos, Konstance is alone in a vault, copying on scraps of sacking the story of Aethon, told to her by her father.
Anna, Omeir, Seymour, Zeno, and Konstance are dreamers and outsiders whose lives are gloriously intertwined. Doerr’s dazzling imagination transports us to worlds so dramatic and immersive that we forget, for a time, our own.
About the Author
Anthony Doerr is the author of the New York Times bestselling Cloud Cuckoo Land, which was a finalist for the National Book Award, and All the Light We Cannot See, winner of the Pulitzer Prize, the Carnegie Medal, the Alex Award, and a #1 New York Times bestseller. He is also the author of the story collections Memory Wall and The Shell Collector, the novel About Grace, and the memoir Four Seasons in Rome. He has won five O. Henry Prizes, the Rome Prize, the New York Public Library’s Young Lions Award, the National Magazine Award for fiction, a Guggenheim Fellowship, and the Story Prize. Born and raised in Cleveland, Ohio, Doerr lives in Boise, Idaho, with his wife and two sons.
Simon Jones Broadway credits include: The Real Thing, Benefactors, The School for Scandal, The Herbal Bed, and Waiting in the Wings (Outer Critics Circle nominee). Off-Broadway credits include: Woman in Mind, Terra Nova, Privates On Parade (Drama Desk nominee). Film and TV highlights: Monty Python's The Meaning of Life, Brazil, Twelve Monkeys, The Devil's Own, Brideshead Revisited, PBS's Liberty and HBO's Oz.
"Marin Ireland and Simon Jones sparkle as they narrate this immersive time-traveling novel. They vividly deliver the stories that weave through this audiobook. A gifted mimic, Ireland performs subtle and effective emulations of Australian, Italian, and English accents. When she slows down to enunciate the classical Greek sprinkled throughout the text, her reading shimmers with meaning. Both Ireland and Jones are masters of pacing and cadence, which matters in an interwoven narrative that shifts in time from the fall of Constantinople (1450s) to present-day small-town Idaho and to a future set on a spacecraft. From accounts of myths to misbegotten environmental terrorism, Doerr's novel pulls out all the stops, and the narrators create an enduring listening experience." — AudioFile Magazine
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